the Garden Of Eden (1963) by Brand Max

the Garden Of Eden (1963) by Brand Max

Author:Brand, Max [Brand, Max]
Language: eng
Format: mobi, epub
Published: 2011-02-26T22:47:00.747000+00:00


What he said was: "Do you know why you close your eyes?"

Still without looking up she answered: "Why?"

"All of these mountains--you see?" She did not see, so he went on to describe them. "There's that big peak opposite us. Looks a hundred yards away, but it's two miles. Comes down in big jags and walks up into the sky--Lord knows how many thousand feet. And behind it the other ranges stepping off into the horizon with purple in the gorges and mist at the tops. Fine picture, eh? But hard to look at, Ruth. Mighty hard to look at. First thing you know you get to squinting to make out whether that's a cactus on the side of that mountain or a hundred-foot pine tree. Might be either. Can't tell the distance in this air. Well, you begin to squint. That's how the people around here get that long-distance look behind their eyes and the long-distance wrinkles around the corners of their eyes. All the men have those wrinkles. But the women have them, too, after a while. You'll get them after a while, Ruth. Wrinkles around the eyes and wrinkles in the mind to match, eh?"

Her eyes opened at last, slowly, slowly. She smiled at him plaintively.

"Don't I know, Ben? It's a man's country. It isn't made for woman."

"Ah, there you've hit the nail on the head. Exactly! A man's country. Do you know what it does to the women?"

"Tell me."

"Makes 'em like the men. Hardens their hands after a while. Roughens their voices. Takes time, but that's what comes after a while.

Understand?"

"Oh, don't I understand!"

And he knew how the fear had haunted her, then, for the first time.

"What does this dry, hot wind do to you in the mountains? What does it do to your skin? Takes the velvet off, after a while; makes it dry and hard. Lord, girl, I'd hate to see the change it's going to make in you!"

All at once she sat up, wide awake.

"What are you trying to do to me, Ben Connor?"

"I'm trying to wake you up."

"I am awake. But what can I do?"

"You think you're awake, but you're not. Tell you what a girl needs, a stage--just like an actor. Think they can put on a play with these mountains for a setting? Never in the world. Make the actors look too small. Make everything they say sound too thin.

"Same way with a girl. She needs a setting. A room, a rug, a picture, a comfortable chair, and a dress that goes with it. Shuts out the rest of the world and gives her a chance to make a man focus on her--see her behind the footlights. See?"

"Yes," she whispered.

"Do you know what I've been doing while I watched you just now?"

"Tell me."

He was fighting for a great purpose now, and a quality of earnest emotion crept into his voice. "Around your throat I've been running an edging of yellow old lace. Under your hand that was lying there I put



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